Thursday, By Leighton Pierce Essay

1073 words - 4 pages

“Thursday”, a 1991 short film by Leighton Pierce, is described by the filmmaker as “something to do with the sensory pleasure of momentary solitude in a domestic setting” (Pierce). Through viewing the piece, it can be observed by the viewer that Pierce desired to capture this essence through the mere use of two naturally generated elements; visuals and sounds. These elements are primarily created by the “domestic setting”, which is Pierce’s own household. Through “Thursday”, Pierce uses a combination of sounds and visuals to emphasize the otherwise unnoticed “sensory pleasure of momentary solitude in a domestic setting”.
Perhaps the first thing the viewer acknowledges in the exposition of the film is the visual aspect, that being the sunlight that is shone through a window in a darkened room. We can also see tree branches and leaves dancing in the wind outside of the window. From this we figure the film is being shot from inside some sort of building. The next shot shows the shadow of what could be the same tree on the paneling of possibly a neighboring house, which supports the idea that the film is being shot form inside of a home. It is possible that Pierce intentionally used shots from outside of the home in the exposition as opposed to inside to give the viewer the idea that the house represents the lead role in the film. By introducing the piece with shots of an empty home, the viewer might expect another role to appear. Pierce then begins to elaborate on his idea of “sensory pleasure of […] a domestic setting” in the visual facet by showing a multitude of shots of inside the home and outside from the perspective of the home. We then begin to appreciate the more insignificant features of both the inside and outside. Quite possibly the most important aspect of the visual sense of this piece is the way Pierce utilizes natural lighting from sunlight and shadows, and refuses to exploit any generated light, to create the sense of visual silence. With that, the viewers also start to appreciate the sounds of the film equally as well. The sounds in this film are that of which we hear every day, and while we generally tend to disregard them, in this film it is equivalent and equally as crucial to dialogue. The first noise we hear in the exposition of the film appears to be a glass or mug being set on a hard surface. This gives the indication that there is most likely human activity in the house, which also gives the viewer an opportunity to relate to a human in the particular domestic setting in the film. Regardless of the fact that there is sound interference from outside of the house numerous times in the film, and from various different sources, the sense of solitude never escapes the viewer. Perhaps it could be the constant drone of the household appliances or the floorboards creaking that keeps the viewer reeled into this sense, and not distracted by the sounds of the outside world.
Pierce does not fail to welcome the viewer...

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