To his coy mistress was written by Andrew Marvell sometime during his lifetime but was published posthumously. We will be focusing on the imagery and theme throughout the presentation and there will be a response from the mistress’s point of view at the end. In the first Stanza Marvell has the speaker tells us what lengths he is willing to go to as well as describing the pure and kind love that him and his mistress share. The speaker describes the time they have together is not infinite so she should show come passion in their romance.
In the begining marvell describes the coyness of the mistress as a criminal act drawing images of criminals making her coyness seem like a more heinous thing than it truly is. Marvell uses the to use the rest of the stanza to invoke images of purity and heroism. There are striking images of the ganges river as well as noah's flood. The ganges river is seen as sacred and pristine and the story of noah is from the bible assosiating his love with pure christian values. These two intense visuals give us a sense of the pure love that the two of them share . This image is further reinforced by the most famous line from the entire poem “my vegetable love should grow” giving us a image of nature and how his love is natural and pure. Marvell then invokes the most striking image in the entire poem and that is of a perfect woman. He takes a great deal of time to admire each part of her body making the audience imagine a woman who is worthy of such praise. This stanza creates a image of a true natural love which the speaker urges his mistress to take part in.
In this last stanza Marvell evokes urgency in the romance of the speaker and the mistress by focusing on imagery of high intensity elements.
Throughout the stanza there are images of luminous and vivid energy, convincing the mistress to harness her potential for action and not waste a single moment of time.
Specifically, the use of youthful hue puts forth the image of glowing, radiant skin full of life, together with morning dew which is associated with sunlight radiating through the drops of water. There’s also instant fires, a raw source of energy that burns and glows. Making the sun run is the final image in the stanza and the poem. It illustrates the desire for absolute control of energy by manipulating a fundamental source of power, the sun.
Further, imagery in the stanza reveals the speaker’s rough, physical, and animalistic view of sex. He argues that they do not have time for the sensual pleasures of romance.
The lines: time devour and slow chapped power, create an image of time ticking away, pictured as the jaws of time slowly devouring the world of the speaker. This is coupled with images of the sun standing still. Two extreme visuals of time help argue the imminence of their romantic actions. These actions are associated with sport, transpiration, and rough strife, details that conjure images of passionate and intense physical...