The Virgilis Aeneid and the Odyssey are ancient poems. The first thing to keep in mind is that the two epics are written from two opposing points of view: the victorious Greeks (for Homer) and the defeated Trojans (Virgil) who are destined to become united. The Virgilis Aeneid follows a legend of the Aeneas from the impeding last days of Troy to the Aenaes’ Victory. It also reflects on the synthesis of the Trojans and the Latinos to be united. On the other hand, the Odyssey talks of the Greek respected hero Odysseus and the long journey to his home with the impeding collapse of Troy. As a result, this paper bit by bit tries to compare and contrast various aspects of the two poems. More evident is the use of book six of the Aeneid and Book eleven of the Odyssey.
The Book six of the Aeneid is one of the most interesting passages of this poem. Finally the Trojan sets foot at the shore in Italy. In respect of her father’s commands Aeneid decides to go the temple of Apollo. It is within these confines that he is introduced to a priestess called Sibyl. Apparently the priestess warns them of awaiting trials likely to be faced in Italy. These passages in the poem contributed largely to the profession of Virgilis to the status of an Adored Christian prophet of the middle ages.
In the fourteenth century a renowned Italian rhymester or poet called Dante emerged. He used this book six as a journey through hell in the poem inferno. In the same technique as Virgilis, Dante was able to come up with different designs of hell in which greater and severe punishment and sentences were beheld on those individuals who committed greater seasons. In this passage it is evident that Dante exercised his imagination and invention to come up with stringent penalties for the sinners.
Despite the fact that Virgili’s Dis is a pre- Christian it signifies an elated adaptation of classical theology. However, this should always be codified in a manner to link the way modern and recent religion are. In this book Virgil reveals the thoughts he had about the Roman Empire. Cunningly he says that, in the world of unpredictable and temperamental gods who only seek to have sacrifices made, Virgil portrays an afterlife. This means he was not content with the life he had on earth. The earthly gods are also responsible for bestowing punishments to the sinful and also reward abundantly. Contrary to this case, the afterlife is portrayed as judgment arena where the people will be judged according to their sinful ways on earth.
The Aeneas trip off to the underworld is simply a literary technique used by Virgil to indulge in widespread stories of Rome futuristic glory predominantly aimed at the glorification and adoration of Rome ruler Caesars. In this passages Virgil renders Augustus the embodiment of the Roman Empire. He does not consider Caesars as being his choice of a leader. His own ruler is Augustus. According to him this is the only ruler who should preside over the Golden age....