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World Music Essay

1067 words - 4 pages

World Music

World music is basically any type of music from all around the world.
This music is generally noticeable from the other countries, either by
instruments used, or lyrically it is different. These things are what
make it easy to tell the difference between the different countries
and what type of music it is. World music can be anything from
different countries so it may sound different to how we expect music
to sound like, for example gamelan music is mainly a set of tuned
bronze gongs. This is what people from the Indonesian islands of Java
and Bali are used to hearing, whereas Great Britain and most of the
rest of the world are not used to hearing. This is because we are used
to hearing things which have been tuned differently. Gamelan is one
type of world music in which gongs are hit in a pattern. Gamelan music
differs between the islands of Java and Bali. This music is used for
all sorts of occasions from traditional rituals such as a wedding, to
accompaniments to puppet shows dance and poetry. Unlike what western
European people might think, that the players of one of the
instruments is playing as an individual, but instead they play in an
ensemble, as one instrument. This shows great teamwork which must be
hard to keep up.

The word gamelan means to hammer, which reflects the way the gongs are
played. The instruments used to make gamelan music are;

* Ugal

* Jegagog

* Jublag

* Kantil

* Pemade

* Reyong

* Kempli

* Suling

* Trompong

* Kendang

* Ceng-ceng

* Gongs - Kempur


The Ugal is generally known for carrying the melodic line, Pokok, it
is the melodic leader when the Trompong is not being used. This
instrument needs long resonating bamboo tubes so is often played while
sitting down.

The Jegagog is the lowest pitched of the gangsa, the gangsa family
consists of instruments which have brass or bronze keys suspended over
a resonating bamboo tube. The Balinese gangsa differs from the
Javanese because the keys make a louder sound and are designed to be
struck with different hammers. This instrument also requires long
resonating bamboo tubes so is played while sitting on a chair or
bench. It has five keys (1, 2, 3, 5, and 6). This pattern is commonly
found in both Java and Bali. It plays at submultiples of the pokok and
is played particularly at important structural points as do the gongs.

The Jublag is the next higher pitched of the...

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