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It can be observed in this story that love is very powerful, so much
so that it can drastically alter lives. Love can also lead to
irrational decisions with horrific consequences. Atwood uses two
distinct examples in “Happy Endings” to confirm this notion.
Story B presents the character Mary, a woman madly in love with John.
John, however, feels no emotion towards Mary, but rather "uses her
body for selfish pleasure and ego gratification of a tepid
kind.(Atwood)" Mary loves John so much that she has sex with him twice
a week, despite the fact that she does not enjoy the act. “She acts as
if she’s dying for [sex] every time, not because she
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people do not know how to differentiate between love and lust. Several forms of mass media including songs, motion pictures, television shows, music videos, and commercials all sell the idea that having casual sex with someone is also equivalent to being in love. Being infatuated with someone does not mean that you love them. Having sexual intercourse with someone constantly does not show your true affection for him or her, especially when the words “I love you” cease to exist. In the second scenario within “Happy Endings,” Mary is in love with John and is willing to do anything and everything for him. Mary believes that if she has sex with him all the time, then he will realize that he loves
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words. The "stretch in between...is the hardest to do anything with" is doctrine that applies to fiction writing as much as it does to life. With the statement "[plots] are just one thing after another, a what and a what and a what. Now try How and Why" Atwood is solidifying her case that it is not the ending that matters, it is how we, or the characters get there. The ending is unimportant because no matter how you slice it, "John and Mary die. John and Mary die. John and Mary die." And so do the rest of us.
Margaret Atwood: "Happy Endings" from Good Bones and Simple Murders, 1983, 1992, 1994 O.W. Toad Ltd.
Web site 1: Source: The American Heritage Dictionary of the English Language, Fourth Edition 2000 by Houghton Mifflin Company- (definition of metafiction)
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a man. They go through different paths but both eventually come to the same finishing point. The narrator went from a young girl who believed she could do whatever she wanted to learning the painful truth that she would be no different from her mother, in being a stay at home wife. Mary had only one goal in life and that was to be with John, when that couldn't happen she took her life. Both characters struggle with their atmosphere and society, and ultimately fall into the same stereotypes.Work Cited:Atwood, Margaret "Happy Endings Part B" Introduction to Introduction. Fifth Edition. Findlay, I ET all. Canada, 2004. 511-512Munro, Alice "Boys & Girls" Introduction to Introduction. Fifth Edition. Findlay, I ET all. Canada, 2004. 491-502Munro, Alice "Boys & Girls" A Study Guide from Gale's "Short Stories for Students". Fifth Edition. The Gale Group, 2002. 28-40
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Roethke’s, “In a Dark Time”. It becomes clear one must result to suffering in order to really see and reflect on the truth and purpose to their existence. Both works examine this purpose through the suffering ones goes through on their life’s journey.
Regardless of how life is lived, all experience death. In the story, “Happy Endings,” Margaret Atwood gives the reader a choice to a happy ending by selecting A. Other scenario’s are shared but entail a less happy ending. Each scenario looks at a different ways characters, John and Mary have lived their life. Atwood results to saying “The endings are the same however you slice it”. “Happy Endings”. Everyone encounters death, but it is not the
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survived the calamity and the one where Fred has a bad heart and the story ends inevitably the same. Atwood also suggested that the reader may become as adventurous as possible and portray John as a revolutionist and Mary a spy and yet the end will be just the same.
Happy Endings tells the reader that what is important in a story just as much as in life is neither the beginning nor the ending but what is in the middle that matters most. It is the span of time in between the moment man takes his first and last breath that matters. Atwood though shared that beginnings are fun but true connoisseurs, those who has a passion for life favor what is in between because this is the part
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Oryx and Crake by Margaret Atwood
As I first started to read ‘Oryx and Crake’, I was somewhat skeptical of whether or not I would enjoy reading it. The first chapter confused me with unusual words that I have never heard or seen before. Whenever I read something it is usually a book or magazine that I plan on reading or that is based on actual facts on a certain subject such as history or sports related. This book came as a surprise as I started to read it because it was not as hard to understand as I thought it would be and was actually quite enjoyable. The symbols in this book can mean many different things based on what the reader believes since religion plays a big part in it
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story interactive, which draws more attention to itself as a criticism of traditional fiction.
Both "Happy Endings" and Foe provide commentary on gender issues in modern fiction writing. In "Happy Endings", Margaret Atwood’s attack on gender stereotypes reveals itself in the form of character interactions. Her various story versions portray how women are victims of conformity in a patriarchal society. In version B, Mary lacks self-confidence and is deluded by pressures of traditional values. She falls in love with John, even though he “merely uses her body for selfish pleasure,” and hopes they will get married (1). Their relationship is founded on sex, which has different meanings for Mary
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individual as if refracted through water. Cat's Eye is a work of influential English by author Margaret Atwood. The novel's central area of exploration is of different versions of reality, and the accuracy and truthfulness of our own visions of how we see the world and ourselves. These visions are problematised by Atwood, as she uses various techniques that allow her to discretely proffer her idea of 'nothing is quite as it seems' to position the audience. This results in our own endorsement of these beliefs, and leads us to question our own lives as just a version of reality, with a sense of disillusionment. Our world and our own lives are challenged by Atwood's novel, as in questioning the idea
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much nicer” (1). A word in the above sentence that stands out is the word, “Inside” (1). This depicts that what Mary is conflicted with is inside, thus making it her inner conflict. The over all noteworthiness of these quotations from the novel is that they convey Mary’s person versus self-conflict.
Equally worthy of attention is another excerpt from “Happy Endings” that further defines Mary’s person versus self-conflict. How John treats Mary when they are together. Describing also the way of how John takes advantage of Mary. Atwood writes, “He comes to her apartment twice a week and she cooks him dinner, you’ll notice that he doesn’t even consider her worth the price of a dinner out, and
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Lucky Jim by Kingsley Amis and The Edible Woman by Margaret Atwood
The adolescent years are often associated with turbulence, illusion,
and self-discovery; however, Kingsley Amis’s Lucky Jim and Margaret
Atwood’s The Edible Woman demonstrate that more often than not, the
twenties possess these qualities to a greater extent than
adolescence. The age period of the twenties often consists of
relationships, employment and self issues and using the premise of
these uncertain times, Amis and Atwood effectively satire various
societal systems. Moreover, Amis and Atwood both implement the use of
the foil, a character who, by contrast with another character,
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collective forms of prostitution are available only to Commanders to alleviate themselves from sexual repression. There, Offred spots Moira, a close college friend she last saw before Gilead split them up and with their hand signals, they meet up with one another where Moira tells Offred about her esacpe. "'I thought it might be the end, for me. Or back to the Center.....If I'd had my tubes tied years ago, I wouldn't even have needed the operation. Nobody in here with viable ovaries either, you can see what kind of problems it would cause'"(Atwood 312-313). After Moira and Offred got separated, Moira decides to escape underground with the help of people who refuse to work with Gilead, mostly
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Symbolism and Loss of Identity in The Handmaid's Tale by Margaret Atwood
In Margaret Atwood's The Handmaid's Tale, Offred recounts the story of her life and that of others in Gilead, but she does not do so alone. The symbolic meanings found in the dress code of the women, the names/titles of characters, the absence of the mirror, and the smell and hunger imagery aid her in telling of the repugnant conditions in the Republic of Gilead. The symbols speak with a voice of their own and in decibels louder than Offred can ever dare to use. They convey the social structure of Gileadean society and carry the theme of the individual's loss of identity.
All the women in Gilead wear color
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It is necessary for the government to impose a certain amount of power and control on its citizens in order for a society to function properly. However, too much power and control in a society eliminates the freedom of the residents, forbidding them to live an ordinary life. In the dystopic futuristic novel, The Handmaid's Tale, Margaret Atwood demonstrates the theme of power and control through an oppressive society called the Republic of Gilead. The government establishes power and control through the use of the Wall, military control, the Salvaging, and the Particicution. The Aunts indoctrinate the Handmaids and control them by using fear and intimidation. The Patriarchal society allows
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Margaret Atwood sheds light on two concepts that are intertwined; fertility and motherhood. Nevertheless in Gilead these notions are often viewed as separate. The Republic State of Gilead views women as child-bearers and nothing more. In Gilead, these women are known as handmaids, who’s function in society is to produce children for barren females of a high status. Gilead also prohibits the handmaids from being mothers to their previously born children, meaning before Gilead was created, for instance, Offred, who is separated from her daughter. Thus it is evident that Margaret Atwood generates a state that views birth only as growth in population rather than the beginning of a
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specific words or phrases, connotative language in ads, and even the body language and the "language of clothes."One form of distraction lies in the misinterpretation of words. Simply based on a person's upbringing, they may interpret a word to mean one thing, when really it is intended to mean something completely different. In the article titled "Pornography," written by Margaret Atwood, she discusses this exact point. While delivering a speech, she used the word "pornography" in reference to sadistic rituals performed on males and females. However the press understood this word only by its more connotative definition of "naked bodies and sex." This misunderstanding led to a few problems
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What is a hero? In mythology and legend, a hero, is often of godly ancestry, who is gifted with great courage and strength, distinguished for his bold exploits, and favored by the gods. Or, a hero can be a person noted for feats of courage, mainly one who has risked or sacrificed his or her life. Finally, a hero can simply be the main character in a novel, poem, or dramatic presentation. There are many different types of heroes. This paper will focus on two, Gilgamesh from Gilgamesh by David Ferry and Offred from The Handmaid's Tale by Margaret Atwood. At first glance, Gilgamesh is the embodiment of a bad ruler. He is all knowing, prideful, tyrannical, and cruel. For example
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The purpose of this essay is to analyse and compare the narrative situations proposed by Franz Stanzel in the dystopian novels Never Let Me Go by Kazuo Ishiguro and The Handmaid’s Tale by Margaret Atwood. For this aim, I am going to focus on the aspects focalization (reflection), relationship reader-narrator, narrative distance, knowledge, and reliability and demonstrate that they affect the interpretation of the novel by readers in a significant way. In the end, I will draw conclusions on how these techniques serve to alienate the narratives from their science fiction setting to set even more disconcerting issues about human’s existence.
To start with, in both novels the narrator is
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Imagery: Throughout the novel, "The Handmaid's Tale", Margaret Atwood presents an astonishing amount of vivid imagery and description that makes up the style and flow of the novel. Perhaps the first images present in the novel are that of light and dark. Listed in the table of contents, the reader can see that nearly every other section is entitled Night. Night is usually associated with darkness and fear, although to Offred this connotation is only half true. It seems that only in the dark can the characters of the novel move around and be "free" without the fear of being caught. It's in the darkness of her room that Offred remembers her life prior to the Gilead regime, often recalling her
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them to become insubordinate or independent and thereby undermine their husbands or the state. The society that Gilead portrays can be considered a mirror to the way of life in select Middle Eastern countries such as Afghanistan. The author (Margaret Atwood) has created a novel, which can be considered a fictional interpretation to the harshness of society in Afghanistan toward women.From the opening chapters of The Handmaid's Tale we catch a glimpse into the overwhelmingly harsh society that is Gilead. The narrator Offred, explains that she is held at a guarded facility, where the violation of basic human rights would be an understatement. In an attempt to combat under population, women are
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Never Let Me Go are as different as they are the same; nonetheless, the passionate Atwood along with the melancholy Ishiguro exquisitely capture the essence of being human into the heart of the two novels. The heroines show through their past memories, their never yielding hope for the future, and their need for love, acceptance, and friendship that they are humans. The discovery and eventual acceptance of humanity marks the beginning of what a hero must embody, as they overcome whatever life throws in their way, in the end, however, only true heroes are able to embrace their fate.
Atwood, Margaret. The Handmaid's Tale. Cape: McClelland & Stewart, 1985. Print.
Donne, John. "Meditation XVII." Devotions upon Emergent Occasions. 1624. Print.
Ishiguro, Kazuo. Never Let Me Go. Toronto: Vintage Canada, 2006. Print.
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Fat and Happy, In Defense of fat acceptance is considered to be as a wake up call or a realization note for the fat peoples society. Its not easy for a fat person to save his self from the society where fatness is a serious medical and socially unacceptable problem. Here the Mary R. Wary tells about the stereotypes of our society which fat people experience. But being a part of this society she believes that it is better to accept the reality that people have an equal right to live with full of pride as the thin people.The society believes that thinness gives self-respect to a person whereas; the fatness is something from which a person needs to get rid off. Instead of believing
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and our connectedness. Nature functions as catalyst, as guide, as test, as teacher. Then opening the spiritual window to grace, we ultimately realize the possibility of being fully human.
Atwood, Margaret. Surfacing (New York: Fawcett Crest, 1972).
Austin, Mary. Stories from the Country of Lost Borders. Ed. Marjorie Pryse (New Brunswick: Rutgers UP, 1987).
Pryse, Marjorie. "Introduction" to Stories from the Country of Lost Borders by Mary Austin. (New Brunswick: Rutgers UP, 1987).
Snyder, Gary. The Practice of the Wild (San Francisco: North Point Press, 1990).
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anything else apart from a mere housewife."Another Poem About the Madness of Women" by Tom Wayman and "This is a Photograph of Me" by Margaret Atwood present us with disturbing and touching images of women trapped in their own houses and women who are in a terrible struggle to recover their identity as complete human beings. Tom Wayman depicts a woman demented by the repetitive work she performs in her house. The society, and even her family, is blind to her basic human need for freedom. It is a woman whose husband and children devise a treatment of her madness, which consists in her passing through a department store, and getting out through the door which open on the opposite side of the
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Fictional writing is rarely a neutral account; typically, characters are constructed to express a particular viewpoint. How are the main characters in "The Handmaid's Tale" by Margaret Atwood constructed to represent the text's underlying values and attitudes?Fictional texts are rarely constructed to present a neutral account; instead authors construct their texts to represent particular viewpoints. These viewpoints are manifested through the author's construction of the main characters and the attitudes and values they represent. The Handmaid's Tale by Margaret Atwood is one such text that utilises characterisation in order to convey the underlying attitudes and values presented. The
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Margaret Atwood, born in Ontario in 1939, has written several books, not just The Handmaid's Tale. Her most acclaimed novels were The Edible Women, which was her first novel, and was published in 1969 to wide acclaim, and The Blind Assassin, which won Great Britain's Booker Prize for Literature in the year 2000. However, her most widely known book is The Handmaid's Tale, which was published in 1986 and quickly became a best seller. It is now a staple of high school and college reading lists.The Handmaid's Tale is set in the near future in the fictional Republic of Gilead, which is started after "they shot the [US] president and machine gunned the Congress and the army declared a state of
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Independence is what teenagers strive for while going through adolescence. Once achieved, this right of passage is one of the most difficult to surrender. Such strong defiance and independence is shown in Margaret Atwood's, "The Handmaid's Tale", through the minor character of Moira. This character is referred to throughout the novel as strong-willed and independent until Offred finds her near the end, different and broken. Through Moira, Atwood is able to develop Offred as a dependent on hope and further develop the theme of hopelessness in Totalitarian governments.Throughout the novel, Offred makes references to Moira, Offreds friend since college. Every time this character is mentioned
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Essay"Fear is a tool by which a dictator can seemingly become your friend" (Dr. Phil). This quotation signifies the advantage gained by dictators that control through fear. They are able to maintain the pretense of being a friend to those in fear because those in fear crave protection. Those in control can provide it. In the books 1984, by George Orwell and The Handmaid's Tale by Margaret Atwood, control through fear is demonstrated repeatedly through fear of the Aunts in The Handmaid's Tale and fear of other authority in 1984. This fear that each respective society feels has been taken advantage of by the dictators of the region for their own benefits. Michael Moore's documentary, 9/11
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Mary Shelley's Frankenstein and John Milton's Paradise Lost
“Forth reaching to the Fruit, She pluck’d, she eat:/ Earth
felt the wound, and Nature from her seat/ Sighing through
all her Works gave signs of woe,/ That all was lost […]”
(PL 8. 781-784)
In the gothic novel Frankenstein, Mary Shelley weaves an intricate web of allusions through her characters’ expedient desires for knowledge. Both the actions of Frankenstein, as well as his monster allude to John Milton’s Paradise Lost. Book eight of Milton’s story relates the tale of Satan’s temptation and Eve’s fateful hunger for knowledge. The infamous Fall of Adam and Eve introduced the knowledge of
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A Comparison of Mary Shelley’s Frankenstein and Of Mice and Men by John Steinbeck
I will be comparing the novels ‘Frankenstein’ by Mary Shelley and ‘Of
Mice and Men’ by John Steinbeck. I will focus on how the main outcasts
in each book feel and how their emotions are presented and what
effects this has on the reader.
The novel Frankenstein is about a man Victor Frankenstein, who grew up
in Geneva, Switzerland as an eldest son of a quite wealthy and happy
family. His parents adopted an orphan Elizabeth, who later becomes his
wife. Frankenstein wasn’t very popular although he had a good friend
called Henry Cleval. At a young age he found the need to
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From the outset of 'The Handmaids Tale' the reader is placed in an unknown world, where the rights and freedom of women have been taken away. We follow the narrative journey of a handmaid, named Offred.
Throughout the first 15 Chapters we are provided with information, as narrated by Offred, with glimpses of her past life and her journey to the life she is now facing. These glimpses are not logical in their sequencing or chronological in the narration, therefore creating a feeling of disorientation among readers, a feeling matching that experienced by those living in this society. This also provokes many questions in the reader’s mind along with creating tension and expectation as to
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Handmaid's Tale', reacts against religious fundamentalism and sexist views; Atwood grew up in a very feminist society with abortion being legalised and more women's rights. However, while the western world was giving women equal rights, the Islamic world was becoming more oppressive; hence Atwood believed a warning tool was needed. The novel could be said to be an act of rebellion in itself against these societies. Each novel equally focuses on the individual, as the protagonist's story is the one being told, whether it is through first hand narrative such as in "The Handmaid's Tale" or through the third person narrative that focuses entirely on Winston, and his beliefs in "Nineteen Eighty
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“finds them stoned and entwined” / ”and shoots the two of them and himself”. John reacting to his animal insight by getting jealous when he should not have because he was a married man. Atwood concludes the story with John’s wife Madge who after a long reasonable time or mourning, she finds another man and her life continues just as scenario A.
Eventually, Atwood believes that the only genuine happy ending is death. She points out that we should not be “deluded by any other endings, they’re all fake”. It does not matter which scenario relationships fit into “the only authentic ending is the one provided here: John and Mary die”. Just like Atwood I relate to her theory because I have seem
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questions unanswered, such as how did John and Madge meet? Why did John marry Madge in the first place if he now has to go to Mary for love? It seems in plotline C, John isn’t happy about life continuing on as it does in A. Is it just because she’s younger and more attractive as Atwood would like us to believe, or does she make him feel younger? John must suspect Mary’s feelings are not reciprocal; did he suspect Mary was seeing James and was the murder-suicide pre-meditated? John had the gun on his person for a reason; I think he went in fully aware of what the outcome might be.
The characters are tedious in all plots; they are cookie-cutter style with ordinary sounding names and no
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works. Atwood portrays a realistic view and illustration of women in society, focusing on the ways in which females are hindered and victimized by gender-typing and stereotypes. In the prose, "Happy Endings," Atwood mocks and argues against the traditional fairy tale of the ideal relationship between men and women. She challenges the stereotypical characterization of men and women through different scenarios, using satire to poke fun at society's flawed misconceptions about relationships between the sexes. In scenario A, the ideal husband and wife, John and Mary, live happily in their nice house, have interesting careers, two children, an active social life, and are able to retire living out
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Margaret Atwood seems to be showing her distaste for the boring and predictable way in which the majority of stories are written, or even at the way a majority of lives are lived, while at the same time presenting her own story in a very creative and interesting way. Atwood seems to be giving the reader the basic outline of a story and allowing them to interact with it and almost choose the plot they would like to follow, but “If you want a happy ending, try A.”, while alluding that other endings are not so happy, although possibly less boring. In each story, labeled alphabetically A-F, Atwood describes how each characters’ lives are lived but all stories end as they did in A. Some of
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In Margaret Atwood’s short story, “Happy Endings” she establishes a meeting between a man named John and woman named Mary. She lets the reader choose between six hypothetical situations that could occur after their initial meeting, but she notes that that option A is the one to try if you prefer a happy ending. In Option A John and Mary are the “perfect couple”. They both have good jobs, they marry and then have kids when they can afford it, they retire and both find meaningful hobbies and then they die. The other five options are paralleled to option A however Atwood’s portrayal of the women in the options provides an alternate meaning of the story.
Option B strays away from the perfect
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(in street clothes) and others while on the subway platform in the evenings. Brent takes on an extra friendly, yet agreeable tenor whenever pulled over by police. Brent also showcases his whistling talents with others during those late evening walks. He whistles numbers from Beethoven and Vivaldi, to alert others in the area that he is a safe, law-abiding, tax-paying citizen just like them.
Brent wanted to be looked at as plain and not menacing in his environment, so he adopted some irregular habits to fit in. He molded himself in the image of what others thought a safe black man should be. He conforms just like Mary B., but the major difference lies in Brent changing with his personal survival in mind. Mary B. was willing to do anything even if it cost her own life.
Atwood, Margaret. “Happy Endings.” Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 11th ed. New York: Longman, 2010. 482-85. Print.
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One of the main themes of the postmodern movement includes the idea that history is only what one makes of it. In other words, to the postmodern philosopher history is only a story humans frame and create about their past (Bruzina). Margaret Atwood’s Alias Grace is an excellent exploration of this postmodern idea. Through use of postmodern writing styles and techniques, Atwood explores how the framing of a story influences its meaning. By mixing different writing mediums such as prose, poetry, period style letters, and historical documents such as newspaper articles, Atwood achieves a complex novel that explores a moment of history in a unique way. The different genres allow for the reader
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today is that people do not know how to differentiate between love and lust. Several forms of mass media including songs, motion pictures, television shows, music videos, and commercials all sell the idea that having casual sex with someone is also equivalent to being in love. Being infatuated with someone does not mean that you love them. Having sexual intercourse with someone constantly does not show your true affection for him or her, especially when the words “I love you” cease to exist. In the second scenario within “Happy Endings,” Mary is in love with John and is willing to do anything and everything for him. Mary believes that if she has sex with him all the time, then he will
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journey home. Author Margaret Atwood and artist John William Waterhouse both display their brilliant ideas about the myth of Odysseus and the sirens using poetry and painting. Both Ulysses and the Sirens by John William Waterhouse and “Siren Song” by Margaret Atwood use the myth of the sirens to show that during their lives, people often encounter bad temptations that can lead to their demise and should pay no attention to such temptations.
Margaret Atwood wrote and published “Siren Song” in 1974. The poem vividly describes a siren singing a song about a different song, which is irresistible to men. The siren narrating the poem cunningly pretends to sing a harmless song that is actually the
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Margaret Atwood focuses on the
choices made by those controlling the society of Gilead in which
increasing the population and preservation of mankind is the main
objective, instead of freedom or happiness. The society has undergone
many physical changes that have extreme psychological consequences. I
believe Atwood sees Gilead as the result of attitudes and events in
the early 1980s, which have spiralled out of control. ‘The Handmaid’s
Tale’ reflects Atwood’s views and critiques on civilisation. In an
interview with Gabriele Metzler Atwood says, “There is nothing in the
book that hasn’t already happened. All things described in the book
people have already done to each other”(2
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impact. Although Homer and Atwood wrote two different poems, they can be matched in many different ways.
Atwood, Margaret. "Siren Song." 1976. You Are Happy, Selected Poems. 1965-1975 ed. N.p.: Houghton Mifflin, n.d. N. pag. Print.
Homer, and Robert Fitzgerald. "Book XII Sea Perils and Defeat." The Odyssey. New York: Farrar, Straus, and Giroux, 1998. 214-16. Print.
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"Outside of a dog, a book is a man's best friend.Inside of a dog, it's too dark to read." Groucho Marx, 1890-1977 Alias Grace by Margaret Atwood As discussed at Lynn's townhouse, Wednesday, March 15, 2000 We've discovered the secret to a successful book club meeting: Skittles. And lots of 'em. Oh yes, and a really great book that we all loved doesn't hurt either.Attendees: Lynn Jatania (chair, hostess) Krista Appel (minutes, advocate) Moira Grunwell (advocate) Mike Reade Jen Roundel Ellen Birnbaum Izabela Palczak The Highlights Lynn began the meeting by providing background information on Atwood, Alias Grace, and Susanna Moodie.Book discussion followed -- although we all really liked the
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In Alias Grace by Margaret Atwood, Doctor Simon Jordan is a psychologist that is analyzing and talking to convict Grace Marks with the ultimate goal of unlocking the truth behind the murder case of Thomas Kinnear and Nancy Montgomery. Parts of Grace’s memory are missing completely, and through constant discussions with Doctor Jordan about her dreams and memories from the past, Doctor Jordan is trying to find a way around the memory blocks while examining the validity of Grace’s claims and psychological state. Despite the fact Doctor Jordan is Grace’s link to mental stability and truth, Doctor Jordan needs just as much help as Grace does in finding himself, but his process of self
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An Analysis of Margaret Atwood
Winner of the ‘Governor General’ award and the ‘Book Prize’ is author and poet Margaret Atwood. Margaret Atwood is a Canadian author and poet that has grown up and lived in Canada. She has written many poems protesting different ideas. However she usually focuses on two main topics ‘Humanity vs. Nature’ and ‘Death is Certain’ (Spark notes, Margaret Atwood’s Poetry). She has also some different views, she is a feminist and nationalist with ecological concerns. Growing up in Canada, Margaret Atwood has learned a lot from both of her parents, developed a great poetic vision, writing many great poem such as ‘The Moment’.
Margaret Atwood has
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Canada has had It's fair share of great author's like Farley Mowat, Steven King,Stanley Burke, and many more. But one Author that stands out from the rest is a woman who is not afraid to speak her mind. A feminise by the name of Margaret Atwood who has written poems, novels, short stories, children's books, and television scripts. Atwood was also the president of the writer's Union of Canada. Most would say that Atwood is the greatest Canadian writer of all time. Margaret Atwood was born in Ottawa, Ontario, on November 18, 1939. Because her father was a forest entomologist, Atwood spent most of her childhood living in the Canadian wilderness. During the eight months of each
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Imagine waking up to the President and Congress being gunned down and the United States run by radical “Christian fundamentalist” (Beauchamp). In Margaret Atwood’s The Handmaid’s Tale, this terrible scenario is not a dream, but a reality. Atwood admitted in an interview with Mervyn Rothstien of New York Times, “I delayed writing it for about three years after I got the idea because I felt it was too crazy.” Indeed, the dystopian society of the Republic of Gilead, once the United States, is a chilling thought but raises questions on the treatment of women in today’s society. The Handmaids Tale is a futuristic science fiction novel told by a Handmaid, a woman who sole purpose is to conceive
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acknowledged by their loved ones.
Margaret Atwood is a valued Canadian author. She was voted as NOW's magazine favorite 4 years in a row (Atwood 1). She has been writing since the age of five. She wrote comics and plays and even poetry. Her first published story came out when she was nineteen years old. Canadians adore good literature and she was always encouraged to write. Ms. Atwood has many publications in different genres. She has poetry, novels, and collections of short stories such as, Wilderness Tips.
Atwood, Margaret. "Reading Blind." The Story and It's Writer.
Teenage Suicide. http://hithed.uregina.ca/chi/units/10.4.2/tbsuiloz.html
Schleiter, Jay. Everything You Need to Know about Suicide. Rosen Publishing Group;
New York, NY. 1997.
Frankel, Bernard and Rachel Kranz. Teenage Suicide. Facts on File; New York,
Margaret Atwood. http://www.web.net/owtoad.html
2996 words - 12 pages
Feminism is defined as supporting the Equal Rights Amendment. Feminism interests in the “equality and justice for all women” and “seeks to eliminate systems of inequality and injustice” for all women (Shaw and Lee 10). The Equal Rights Amendment was presented into Congress in 1923 from the failure in referencing women and citizenship in the Fourteenth Amendment. If the Equal Rights Amendment passed, women would have the same equal rights as men. Women would also not be separated or singled out by other men. In the book Cat’s Eye, written by Margaret Atwood, Elaine Risley, who is the main character in the book, is an artist living within the Second World War to the late 1980’s